adriana c grant

Oct 17
Scott Schuldt’s tangle

Scott Schuldt’s tangle


Oct 16

uglyducklingpresse:

Late into the night, fueled by pizza and wine - Dan prints the covers for SUGAR BREAK by Maged Zaher


 
Chinese artist Lin Jin Jin’s My Promise for Your Happiness. Lin’s collage work was presented as part of this year’s Art Basel Hong Kong, reviewed by Luigi Galimberti Faussone in Kolaj Magazine issue #9.

Photo by Kitty Ireland via Instagram

Photo by Kitty Ireland via Instagram


Oct 1

a spectrum of color

via au-gout via girlgonepostal 

a spectrum of color

via au-gout via girlgonepostal 


Sep 26
debpoe:

and then there was the dark sky before us

debpoe:

and then there was the dark sky before us


Sep 22

hyperallergic:

The protests don’t stop … tomorrow is #FloodWallStreet … a mass civil disobedience protest in Manhattan’s Financial District


Sep 20

Tender Buttons [A Chair]

A suitable establishment, well housed, practical, patient and staring, a suitable bedding, very suitable and not more particularly than complaining, anything suitable is so necessary.

A fact is that when the direction is just like that, no more, longer, sudden and at the same time not any sofa, the main action is that without a blaming there is no custody.

Practice measurement, practice the sign that means that really means a necessary betrayal, in showing that there is wearing.

Hope, what is a spectacle, a spectacle is the resemblance between the circular side place and nothing else, nothing else.

To choose it is ended, it is actual and more than that it has it certainly has the same treat, and a seat all that is practiced and more easily much more easily ordinarily.

Pick a barn, a whole barn, and bend more slender accents than have ever been necessary, shine in the darkness necessarily. Actually not aching, actually not aching, a stubborn bloom is so artificial and even more than that, it is a spectacle, it is a binding accident, it is animosity and accentuation.

If the chance to dirty diminishing is necessary, if it is why is there no complexion, why is there no rubbing, why is there no special protection.

From Tender Buttons (1914) by Gertrude Stein. This poem is in the public domain. Via poetsorg. 

Sep 6

Sep 5

Page 1 of 57